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Jay Jhabrix #1
ColourMatch
First sorry....
This was originally posted in the colormanagement forum and then i tried to
send it here as well, but it doesn't seem to have posted... sorry for the
duplicate posts... but am desperate :( Please see below:
Sorry...
Thought i'd add this to the general forum as well in case i got a faster
response.... also, forgot to add that i'm on a PC.
Cheers...
JJ
"Jay Jhabrix" <jhabrix@yahoo.com> wrote in message
news:A031FC714FDDD44126CEF92BC6673556@in.WebX.la2e afNXanI...> Hi....
>
> Urgently need this colour setting for a job being printed in the UK
>
> Colour Profile as per what i've been sent is:
>
> CMYK
> Colour Match 3.01
> SWOP Ink
> Sheet Fet ( i presume they mean Sheet Fed)
> Coated Stock
> 14% Dot (Presume that's the dot gain)
>
> Don't seem to have the Colour Match (CMYK)profile on my system.... (Have
> only Colour Match RGB). So, can someone mail it to me or is it on the
> Photoshop CD?
>
> Thanks....
>
> Cheers...
>
> JJ
>
>
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Jay Jhabrix #2
Re: ColourMatch
"Thee_DarkOverLord" wrote in message news:1dea4b85.0@WebX.la2eafNXanI...profile click the drop down on the profile, what can you see?> Euroscale Coated v2 it should be installed though. go to image/mode/assign
Under CMYK I have:
1/ US Web Coated & Uncoated V2
2/ US Sheetfed Coated & Uncoated V2
3/ Euroscale Coated & Uncoated V2
4/ Japan Standard V2
No ColorMatch
The only ColorMatch i have is ColorMatch RGB.
What i need is ColorMatch 3.01 for CMYK and for Windows... not Mac. The
print house has specifically asked for CMYK and ColorMatch 3.01.
Thanks....
JJ
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Thee_DarkOverLord #3
Re: ColourMatch
Ok I only have the rgb one, not sure why they would need it as colour match though, are you having a one off chroamaline? or printing to press?
Thee_DarkOverLord Guest
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Jay Jhabrix #4
Re: ColourMatch
"Thee_DarkOverLord" wrote :
match though, are you having a one off chroamaline? or printing to press?> Ok I only have the rgb one, not sure why they would need it as colour
Mmmm. i have the RGB one as well.... need the CMYK... it's for a print job
(press) not a chromaline. The profile is actually ColorMatch 3.01.... saw it
on the web while doing a search but no way to download it.
Cheers...
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Thee_DarkOverLord #5
Re: ColourMatch
Then you dont need colourmatch, use the euroscale coated, or uncaoted depending on job. Colour match for press, thats a new one on me.
Thee_DarkOverLord Guest
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Jay Jhabrix #6
Re: ColourMatch
"Thee_DarkOverLord" wrote:
paranoid about recieving rgb files, with good reason. Euroscale is the way> AS i said before use the Euroscale, its standard over here. They are just
to go, blame me if it all goes wrong.
OK... thanks... so, Euroscale and not the US Web Coated?
Cheers...
JJ
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ID. Awe #7
Re: ColourMatch
Jay: ColorMatch is an RGB profile, there is no CMYK version. What the printer is asking is to use the ColorMatch RGB for conversion to CMYK.
For CMYK they are setting these parameters:
SWOP INK
SHEET FET
COATED STOCK
14% DOT
read this as web offset ink on a sheetfed press, coated stock with a 14% dot gain.
It was not abundantly clear what they want. I would ask the printer for their CMKY press profile.
As far as using ColorMatch RGB, you would need to set your monitor for that as they have done in their shop.
ID. Awe Guest
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Jay Jhabrix #8
Re: ColourMatch
"ID. Awe" wrote:
printer is asking is to use the ColorMatch RGB for conversion to CMYK.> Jay: ColorMatch is an RGB profile, there is no CMYK version. What thedot gain.>
> For CMYK they are setting these parameters:
>
> SWOP INK
> SHEET FET
> COATED STOCK
> 14% DOT
>
> read this as web offset ink on a sheetfed press, coated stock with a 14%their CMKY press profile.>
> It was not abundantly clear what they want. I would ask the printer forthat as they have done in their shop.>
> As far as using ColorMatch RGB, you would need to set your monitor for
ID...
Thanks for the response but this is what i found on the net....
"RGB= Color Match RGB or Adobe RGB
CMYK= Colormatch swop 3.01 CMYK. If you don't have Colormatch swop 3.01 use
U.S. Web Coated (SWOP) V2.
Gray= Gamma 2.2
Spot= Dot Gain 20% "
Here's the url....
[url]http://www.galleryprint.com/workflow.html[/url]
Therefore it seems to me that ColorMatch 3.01 is a definite profile. Please
refer to my post to Thee_DarkOverLord.... where i quoted what they were
asking for....
"CMYK Profile set up for photoshop is
CMYK
COLOUR MATCH 3.01
SWOP INK
SHEET FET
COATED STOCK
14% DOT
We often receive work which is incorrectly made up of RGB colour. [Red Green
and Blue]. They are screen colours only, used for example in web design, and
in film and video. If RGB files are supplied for print your cards will print
black and white. Double check what happens to the colour in your files if
you are converting from RGB to CMYK as they can often alter. If this is the
case re-saturate your images whilst working in CMYK mode."
They have clearly said... do not send RGB... send CMYK with the following
profile... see quote above.... now, i'm very confused.... perhaps i should
do what Thee_DarkOverLord suggested and just send them Euroscale Sheetfed?
Only thing i'm hassled about is that they may use this to:
1/ Justify additional processing/system charges
2/ Explain away inadequate quality
I've asked them to send me the .icc file and that's what i got.
Grateful for any help... suggestions.
Cheers and thanks....
JJ
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Peter Figen #9
Re: ColourMatch
There actually is or was a set of ColorMatch 3.01 CMYK profiles that shipped with the later versions of Radius PressView software with the old PressView monitors. Those profiles were pretty decent for their time, but generally other solutions are better these days.
If you're going to use an ICC profile for your conversion, it's going to be either that profile OR the classic setup where you specify dot gain and ink limits, but not both. The dot gain compensations are contained within the profile and are not changeable.
The Radius PressView monitor standard is what Adobe based "ColorMatch RGB" when that was introduced in PS 5. Back then, it was Radius' method of making many monitors look virtually the same - guarantee the same calibration standard while recommending similar viewing conditions. How many of us still have the black "stealth" apron that they (I think) expected us to wear while editing.
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